It’s not unusual for songs to start in a minor key and then change key (“modulate”) to a major key. When you think of how songwriting has changed over the decades, that one aspect — the minor-to-major key change — has remained relatively common. The change from minor to major has a brightening affect, as […]
Most songs will end in the same key that they start in. If there is a key change, probably the most common one would be presenting the verse in a minor key, and then switching to the relative major key for the chorus. For example, you might start your song in A minor, and then […]
For most of the songs you’ll write, you’ll likely use the same key throughout. If you do happen to change key, the mostly common scenario is to put the verse in a minor key and then switch to the relative major for the chorus, like Carole King’s “You’ve Got a Friend.” That’s pretty standard, and […]
This is a bit of an addition to yesterday’s post, in which I gave some thoughts on the melody and lyrics of Bruce Springsteen’s “Hungry Heart“. There’s one other aspect of this song that deserves a quick mention: the key change at the song’s instrumental bridge (at 1’38”). The song is in C# major. We […]
You know that there are many songs where verses and choruses are in different keys. When it comes to questions about chord progressions that I receive, the most common kinds of questions relate to that issue: how to get from one key to another in a typical song. It’s not unusual for a song to […]
Most of the time, a song will start and end in the same key without ever changing. But once in a while, it can be interesting for the audience if they hear the music move off to some new key, even if that key change is just temporary. In music theory terms, it’s called “modulation.” […]
