Some songwriters have a natural aversion to music theory. That dislike usually goes hand-in-hand with the mistaken belief that the purpose of music theory is to tell you what you should or shouldn’t be writing. That’s never been the purpose or power of music theory. Rather, theory gives you an understanding of the structure and […]
Whatever you write about comes with a mood. Not to simplify this, but songs are usually either generally happy or sad, with often a blend of many different shadings of emotions. “Happy” can mean “triumphant”, “at peace”, “jubilant”, “satisfied”… you get my meaning. Of all the various elements that go together to make a song, chord progressions are […]
Let’s say that you’ve been working out a new chord progression, and you’ve found something — a combination of 3 or 4 chords — that really seems to work. The trouble is: you can’t figure out what key that progression is in. How do you identify it? The first question you might ask is this […]
Most of us succumb to a kind of “muscle memory” when it comes to writing music. We tend to favour certain styles, certain tempos, even certain keys. To a degree, this isn’t a bad thing, and it’s to be expected. The fact that we favour this or that way of writing is what having a […]
If you’re looking for ways to make your progressions a bit more interesting without being too weird, there’s a simple modification you should consider: simply avoid overusing the I-chord. In a standard I-IV-V-I progression (C-F-G-C) the I-chord is the tonic chord. It’s the one that represents your song’s key. There’s absolutely nothing wrong with its use, […]
It might surprise you to know that most chord progressions, regardless of the genre of the song you’re looking at, are relatively short. Comparing verse to chorus, you’ll find that verse progressions tend to be a bit longer on average, involving more chords, but even so, progressions that use more than 6 or 7 chords are […]
