I often get emails asking me some variation on the following: How can chords, which contain only 3 or 4 notes, be used to accompany melodies that contain so many notes? The question relates to the fact that you might strum a chord for two full bars (8 beats) or even more, and in those […]
A song that we love can seem to have a really enticing chord progression, but when you really dig into the song to find out what they’ve done regarding chords, you often find that they’re very ordinary, and that it’s other things — syncopated rhythms, chord inversions, and melodic shapes above the chords — that […]
It’s possible to do entire songs with the same progression from beginning to end. That used to be rare — I can think of America’s “A Horse With No Name” from 1972 – Em and D6add9 for verse, chorus and solo. And doubtless there must have been a disco hit or two that got built on one […]
I’ve mentioned frequently lately that it’s become a thing to create entire songs based on one chord progression. That may work for top-40 kinds of songs, but if you’re into creating interesting music with lyrics, chords and melodies all partnering well together, the one-chord-progression song may not work so well. But let’s say that you’ve […]
There are typically two times when a song’s key becomes something that a songwriter considers: During the initial songwriting process. You create your first melodic ideas based on an often-random choice of key and chords. During the performance or recording stage. You might possibly change the key to one that puts the melody in your optimum […]
New instructional songwriting video is up on YouTube! ____________ Get “The Essential Secrets of Songwriting” 6-eBook Bundle, and take your songwriting further than you’ve ever taken it before. ____________ I’ve not done many instructional videos, mainly because it takes a fair bit of time. But I’ve decided that for some songwriting concepts, video might be […]
