If you’re a songwriter who favours the chords-first process, you’re used to doing a fair bit of improvising and experimenting, coming up with chord combinations that sound good. In the improvising that you do, you’re possibly (or even probably) not aware of key. In other words, it’s quite possible to generate interesting chord progressions even if […]
Choosing the key for your song usually involves, at least in the first instance, finding the key that suits your vocal range. Most of the time this isn’t specifically a songwriting issue as much as it is a performance issue. But there are other aspects of key choice that amounts to making a songwriting choice. […]
Let’s say you’ve come up with a hook that you think should be something that works well as the main flag-waving part of your chorus. So then you set about to write a verse that leads into that chorus. But once that’s done, and you play the verse and chorus in sequence, you find that the […]
Most of the time, if there is a difference in key between a verse and chorus, it’s the kind of thing where a verse will be in minor, switching to the relative major for the chorus. Then you get songs like “Little Lion Man” by Mumford & Sons, which switches quite freely back and forth […]
Tonight I have the thrill of conducting a performance of J.S. Bach’s “St. John Passion,” so I’ve had my head a little out of songwriting world while concentrating on preparing for that performance. I’ve mentioned Bach often on this blog in the past. And mostly because the way Bach composed is not that far off from […]
If you find that everything you write is in a major key, you’re missing out on an opportunity to create songs that tap into a darker or perhaps edgier side of music, a side that minor key writing offers. It might be that you aren’t sure how to create minor key progressions, and so I’ve […]
