An inverted chord is one in which the lowest-sounding note of the chord at any given moment is not the root of the chord. Inversions have a subtle way of manipulating the mood that a particular chord conveys, and can be a really great tool for songwriters looking to make their chord choices sound more sophisticated. […]
If you’re looking to become a better songwriter, don’t forget about improving your ear. Being able to identify chords, rhythms and melodies by ear is helpful in two major ways: It speeds up the songwriting process. You may have a certain chord or melody note in your mind but may not have the ability to […]
If you ever listen to an old 1950s-era recording of jazz pianist Oscar Peterson, you’re probably hearing him with his trio which included Herb Ellis on guitar and Ray Brown on bass. No drummer at that time, but the three of them played with such a powerful sense of beat and rhythm that you don’t […]
If you use one particular instrument to write all your songs, you’re likely running up against a problem: all your songs start to sound the same. I just wrote about song similarity in my most recent post (“Working On Several Tunes to Avoid Excessive Song Similarity“), in which I suggest that one great way to […]
When I’m writing original music — which is to say, composing, not arranging someone else’s tune — I practically always do some kind of melody-first method. When you hear a problem with your song, but don’t know how to solve it, you might find the answer in “Fix Your Songwriting Problems – NOW!” Get this eBook separately, […]
Evaluating your songs objectively is crucial to songwriting success. “Fix Your Songwriting Problems – NOW!” puts the magnifying glass on 7 of the most common problems that songwriters typically face, and offers great solutions to try. Creating a song melody that is effective means writing one that is: well supported by the chords underneath it; […]
