I’ve always held the belief that an understanding of music theory can and will improve your songwriting. But it’s also right to acknowledge that not everything you could learn about music theory will be particularly relevant to your activities as a working songwriter in the pop genres. If you study basic musical rudiments at a typical […]
Most songwriters I know are well able to keep two, and often more, songs on the front burner at any one time. Working on several songs simultaneously isn’t really all that hard to do, as long as you follow a few basic tips. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build […]
There is a decades-old myth in the pop music world that asserts that the more you understand music theory, the more it stunts your creative abilities. Where does the myth come from? I suspect it goes something like this: When a song sounds really good, theorists will pull it apart to try to understand why it […]
Most of the time, you write songs where all the sections (verse, chorus, etc.) are written as part of the same process. You might write a chorus hook, and then you work on a verse that will partner well with it, and so on. But you likely have bits of songs that you’ve written over […]
Everyone has a songwriting style, and if you listen to enough of someone’s music you’ll start to hear those similarities, assuming it’s not immediately obvious. Similarity between songs is not a horrible wrong that must be corrected. It’s unavoidable. And it’s a part of being creative in the sense that creativity usually builds on things […]
Here’s a problem that I noticed in my own writing years ago, and I still battle today: Making sure that my newest songwriting ideas don’t sound the same as everything else I’ve written. I suspect that most songwriters deal with this issue. We all have a kind of artistic “muscle memory” that keeps our fingers […]
