At first blush, creating musical tension in a song doesn’t sound like something you want to do. We’ve learned in our everyday lives that tension is usually something negative — something that needs to be resolved. But in music, tension is a crucial characteristic of some of the best song melodies written. That’s because musical tension […]
The intro of your song is that one section that’s part songwriting, part production. In other words, for many songs you can take the existing intro away, replace it with some other intro, and the song is still essentially the same. In that sense, a song intro can be decided upon during the production stage […]
Songs are short. Most of them, anyway. And by short, I mean usually less than four minutes. That may seem like an insignificant detail that’s hardly worth mentioning, but the shortness of songs is a kind of musical challenge: in a very short period of time, you need to offer the audience a complete musical […]
The best editing in the creative arts makes things shorter, not longer. That’s not a rule, and it’s not exclusively true, but it’s almost always the case. Pop songs tend to be 3-4 minutes in length. That’s usually because of the subject matter. People think it’s because we don’t have attention spans that will allow […]
It’s important to realize that what you’re dealing with in songwriting is getting an audience to feel something, more so than telling a story. True, your song will involve telling a kind of story– a lover who tosses you away, or perhaps a plea to the world for more kindness — but what it comes down […]
If songwriting is the kind of activity for you where there’s no particular pressure to get something written, there’s nothing like the freedom of starting and stopping as the whim hits you. The biggest problem with writing when you want to is keeping disciplined. There can be days (weeks? months?) when it’s hard to get something […]
