If you find it hard coming up with great original melodies, you do have an option to consider: using a melody from a public domain song. Public domain refers to the fact that the original copyright of a song has expired. In many countries copyright expires 70 years after the death of the copyright holder. […]
Good lyrics have a strong sense of focus — of purpose and direction. It might help to make that statement the opposite way: bad lyrics wander about without being overly clear about what’s even being said. To say that a song lyric has focus means that it points toward a specific topic and doesn’t stray needlessly. […]
It’s an observation about lyrics that I’ve become aware of only recently: I tend to think of good lyricists as people who either a) make me think, or b) make me feel. Sometimes both simultaneously, (like you might experience with a song like, say, “Crying Lightning” – Arctic Monkeys (Alex Turner) but often one or the other. […]
The best songs exhibit a mix of two things: Predictability. Songs need to sound enough like other songs out there that audiences enjoy your music. Uniqueness. Songs need to sound different enough from other songs out there that audiences don’t feel that you’re simply rehashing other writers’ ideas. And that’s a tricky balance to get […]
If you spend any time on YouTube, you can get a pretty clear idea of what songwriters find difficult. It’s there for all to see and hear. It’s the double-edged of social media: it can get your music out there to a large audience right away, but also displays any weaknesses or issues right away. […]
Sometimes just editing verse lyrics won’t give you what you want. It might happen that despite how many times you change a word here and there, you still wind up with a verse that’s weak in some way. It can be frustrating. So here’s a different way to fix the verse (and lyric) that isn’t […]
