In considering the many ways that songwriters start the songwriting process, working from a title is, in my opinion, one of the best. The reason comes down to one word: focus. To tell you more about what I mean, consider one of the other common ways to get the process started: working from a chord progression. […]
As listeners of music, we like to hear contrasting ideas as a song progresses, even if we’re not consciously aware of it. In songwriting, a contrasting idea might mean something like this: one part of a melody that’s harmonized mainly with minor chords, followed by a section harmonized with mostly major ones. Contrast in a […]
If you look at the description of Lennon & McCartney’s “I Saw Her Standing There” in the Rolling Stone’s 500 Greatest Songs of All Time list, you’ll read this: This song had been written by McCartney two years earlier. After penning the first line – “She was just 17” – McCartney wanted to avoid completing […]
It’s an important principle in good songwriting that all elements within any song should act as partners. We know, for example, that the mood of a song can be strongly affected by the tempo we choose, and also by production choices: instrumentation, performance style, and even the key. A lyric can be excellent, but if […]
How you know that you’ve written a song that really works comes down to one main thing: its ability to make listeners want to hear it over and over again. When a song fails to do that, your job becomes one of analysis: how to figure out why a song just isn’t making the impact on […]
There are some genres that are edgy and energetic by nature. If you like the warm fuzzy feeling you get from a lightly-accompanied ballad, you’re not likely going to be writing heavy metal. But what if you like lightly-accompanied music for the transparency of its sound, but you wish your song had a bit more […]
