Having the verse and chorus in different keys is not rare if you consider the number of songs where the verse is mainly in minor, and then the chorus switches to the relative major. Sometimes the minor-major relationship is a different one, like Lady Gaga’s “Paparazzi” (Stefani Germanotta, Rob Fusari), which has a verse in […]
Take a look at the following two progressions. The first one comes from the verse of John Legend’s “All of Me” (John Stephens, Toby Gad), and the second one comes from the verse of “Goodbye Yellow Brick Road” (Elton John, Bernie Taupin): 1. All of Me: Fm Db Ab Eb 2. Goodbye Yellow Brick Road: […]
Some songwriters have a natural aversion to music theory. That dislike usually goes hand-in-hand with the mistaken belief that the purpose of music theory is to tell you what you should or shouldn’t be writing. That’s never been the purpose or power of music theory. Rather, theory gives you an understanding of the structure and […]
Most of us succumb to a kind of “muscle memory” when it comes to writing music. We tend to favour certain styles, certain tempos, even certain keys. To a degree, this isn’t a bad thing, and it’s to be expected. The fact that we favour this or that way of writing is what having a […]
Have you ever written one of those songs that just doesn’t work, no matter what you seem to do to it? Of course, the most common solution is to put it aside, maybe forget about it, and get on with your next one. Before you give up entirely on that song that isn’t measuring up, […]
It’s a common technique for songwriters to write a verse that sits mainly in a minor key, and then switch to a major key for the chorus. The main reason for this kind of minor-to-major relationship working so well is that it considerably brightens the sound of a song. If you think of the verse […]
