As you likely know, it’s not unusual for songwriters to create songs where the verse is in a minor key or mode (often aeolian mode), and then switch to a major key (usually the relative major) for the chorus. A classic example is Carol King’s “You’ve Got a Friend“, the verse of which is in […]
How do you make people think something with music? It’s amazing that simply hearing the air vibrate can do that, but such is the strength of being a member of the human race. I’ve mentioned on this blog before that some songwriters, like Paul Simon, like to compose music (melody and chords) and then decide […]
As a songwriter, it wouldn’t be unusual to devote a lot of time to thinking about how to make your audience happy. You’re probably opting for fast tempos, major chords, and lyrics with an upbeat message. But you might be missing something: the positive effect that writing sad music can have on your audience. In 2013 […]
I’ve mentioned frequently lately that it’s become a thing to create entire songs based on one chord progression. That may work for top-40 kinds of songs, but if you’re into creating interesting music with lyrics, chords and melodies all partnering well together, the one-chord-progression song may not work so well. But let’s say that you’ve […]
There are typically two times when a song’s key becomes something that a songwriter considers: During the initial songwriting process. You create your first melodic ideas based on an often-random choice of key and chords. During the performance or recording stage. You might possibly change the key to one that puts the melody in your optimum […]
A circle of fifths (CoF) progression is one that includes chords whose roots move up or down by 5ths. Dm Am Em Bdim, for example, is an ascending CoF progression. You can hear that there’s a pleasant sense of predictability that results from this kind of progression. There are many ways to use the CoF, including […]
