It would be a no-brainer to say that I think Paul McCartney discovered things about songwriting that many other writers just don’t ever get to know. But one aspect of his writing that I think has contributed to his success is his very loose concept of what song form is. Most of the time when […]
Pop songs are relatively short. But despite that fact, it can be a daunting task to imagine and then create a complete three or four minute musical journey. You have all sorts of ways that you typically create this musical journey. Most of the time, you’ll find a couple of chords that move back and […]
Generalizing any aspect of a songwriter’s output is straying into dangerous territory. That’s particularly true of the music of Lennon and McCartney. They were arguably the most versatile writers of pop song of their generation, and probably even now. As soon as they wrote a hit, it was back to the drawing board to come […]
Here’s something interesting: the melody that Paul McCartney uses as his verse melody for “You Never Give Me Your Money” (“Abbey Road” album) serves, for all intents and purposes, as a bridge melody for “Carry That Weight.” True, the fact is that its appearance as a bridge melody is overshadowed by the fact that its main […]
I read an interview with Paul McCartney once where he talked about the choice of words in “She Loves You.” In particular, he and Lennon considered it a bit risky to be singing a song about “he” and “you”, since most love songs put the singer front and centre. In other words, musical logic dictates […]
If you look at the description of Lennon & McCartney’s “I Saw Her Standing There” in the Rolling Stone’s 500 Greatest Songs of All Time list, you’ll read this: This song had been written by McCartney two years earlier. After penning the first line – “She was just 17” – McCartney wanted to avoid completing […]
