With a good song, there’s a strong sense offorward motion. How you know that forward motion is there and working for you is by your own sense of anticipation: if you find that at any given moment in your song, you want to hear what happens next, that’s the vital sense of forward motion working for […]
by Gary Ewer, from “The Essential Secrets of Songwriting” website: I’ve devoted considerable space in my e-book “The Essential Secrets of Songwriting“ to describing the differences between verse melodies and chorus melodies. Nothing in the arts is exact; it’s not a science. If it were, I don’t believe we’d have a lot of interest in it. Songwriting would […]
Any working songwriter will tell you that writer’s block is one oftheir fiercest enemies, something they must constantly work against to keep at bay. A bad dose of writer’s block can completely sap the fun and enjoyment out of songwriting, and make you feel like a rank amateur. Writer’s block is, in short, the inability to summon the […]
Many songwriters become fixated on one aspect of a song, to the detriment of the others. In my experience, more songwriters worry about their chord progressions than anything else. If you find chords hard to come up with, that fixation may make sense. But the most important element of a song may not actually be any […]
Chord progressions are funny creatures. We spend so much time looking for that elusive set of chord changes that are going to make the listener sit up and take notice. And actually, the best progressions are the ones that stay out of the way of the song. If your progressions are drawing that much interest, they’re probably drawing toomuch […]
From “The Essential Secrets of Songwriting” website: Most of you know that I have had an internet presence on the web for years as the author of “Gary Ewer’s Easy Music Theory.” And you know that I am a big fan of any and all musicians learning some basic music theory. But maybe not for the reasons that you […]
