When I listen to a song that’s spent a good deal of time at the top of the charts, I’m often amazed by how simple its structure is, how simple the chords are, and how few notes the melody actually uses. Sure, there are the exceptions. Elton John’s songs, for example, tend to use long […]
There’s more to a song hook than meets the ear… a lot more. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” is a vital manual for any serious songwriter. American indie rock group Moon Taxi’s 2015 single “All Day, All Night” is a good reminder that you can […]
If you really want to see contrast at work in music, you should listen to a Classical symphony. Each piece typically consists of four movements, and each movement will be in a different key, and usually a different tempo. Also, each movement, even if they borrow ideas from previous movements (as 19th-century composers sometimes did), […]
When a song sounds great, we like to think that there’s a certain magic involved. But if you are a student of songwriting, as most good songwriters consider themselves to be, you’ll know that it’s not magic that makes a song great. A song sounds great when it follows basic musical principles. And we love […]
Good music isn’t determined by adherence to rules; it’s more a case that the best songs are guided by certain musical principles. One of those guiding principles is that chorus melodies should normally be pitched higher than verse melodies. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” describes […]
You might assume that a verse should have some connection to the chorus that follows it — something that makes the verse and chorus sound like musical partners. Creating musical partners of various sorts is usually a goal in good songwriting. But (with the possible exception of the lyrics) it is possible to write a verse and […]
