I talk a lot about the concept of “fragile” versus “strong” in songwriting, and particularly when I’m talking about chord progressions. In that regard, “strong” means “clearly indicating the key with a short, unambiguous set of chord changes.” With chords, “fragile” means the opposite: making the key less clear — less obvious, by creating a […]
Writing melodies may not be the part of songwriting you find easy at all. You may find it easy to create chord progressions that you like, and you may even be a decent lyricist. But if you’re finding that your melodies sound like aimless wandering — a disorganized collection of notes — that’s a problem […]
Monday’s blog post, “Uniqueness is a Powerful and Necessary Element in Good Songwriting”, got me thinking a lot more about the challenges of writing something singular within a particular genre, and so think of this post as a kind of “Part 2” to that article: One thing that practically all artistic works have in common, […]
When a songwriter is asked the question, “How do you start a song?”, they usually mean, “Which element of a song (lyrics, melody, chords, etc.) do you work on as your first step?” That element then becomes the identifier for a particular songwriting process: a “lyrics-first process”, a “melody-first process”, and so on. No matter […]
Do you find it reasonably easy to write words (lyrics, poetry, etc.), but when you try to create songs with those words, everything sounds corny, random, and just plain bad? You read the words, and they sound just fine; you try singing them, and they sound a bit lame. The best songwriters are best because of […]
I’m a trumpet player, though these days I do more writing and conducting than trumpet playing. Back when I was starting out, I was in final rehearsals for a one-off orchestra I had been hired to play in. I noticed that the principal trumpeter had a small ring of brass — sort of doughnut-shaped –that […]
