If you want success in writing music, you need to be able to listen to your own music objectively, and to be able to judge it objectively. I’ve written a lot on this blog about how to do that (here’s one article, for example: How Objective Listening Improves Your Songwriting). To listen objectively ends up being this: […]
Good songs are almost always about contrasts. If you look closely at chord progressions, you’ll notice major and minor chords: opposites working together. With instrumentation, you’ll often see sparse, transparent sections (often the verse) contrasting with fuller, busier parts (the chorus). Contrast is an important part of what keeps listeners coming back to your song. […]
A pre-chorus is an optional section that sits between the verse and chorus. There are several reasons why you might choose to use a pre-chorus in a song, the most common reasons being any combination of the following: The verse is quite short. The verse melody is very repetitive. The beginning of the chorus is […]
We tend to think of songwriting and inspiration as going hand-in-hand. Talk to anyone about how they write songs, and “inspiration” is probably going to come up pretty early on in the conversation. Here’s the question: Do you need a good dose of inspiration before songwriting works for you? In other words, are you able […]
If you like any of the melody-first songwriting processes, you know that eventually you need to add chords to that melody. If chord progressions are the part of writing that’s a little out of your comfort zone, here are some tips and ideas that can help : Get a sense of the strong beat-weak beat […]
For most songwriters, talking about “the hook” means talking about the chorus, at least the main part of the chorus melody that’s catchy and immediately identifiable. If someone asked you to sing the most identifiable part of Derek & the Dominos’ “Layla”, you’d start with the opening of the chorus (“Layla/ Got me on my […]
