If you find it hard to create a melody that works with your lyric, it might be that you find the entire package of the musical side of things (melody, chords, rhythms, etc.) to be difficult. Some lyricists are good at creating images, and saying much with few words, but when it comes time to […]
One of the biggest problems in the creative arts is the feeling that there’s “a way to do it.” At least, you’ve always done it that way. When it comes to songwriting, you may be stuck in a rut that comes from writing the same way every time. “Chord Progression Formulas” show you quick and […]
If you like starting the songwriting process by working out the melody, you’re likely also simultaneously considering the chords that might accompany it. That’s because for melodies that are in a key, it’s practically impossible to hear those melody notes without our brains imagining chord possibilities. If hooks seem elusive when you’re trying to write […]
If you find it hard coming up with great original melodies, you do have an option to consider: using a melody from a public domain song. Public domain refers to the fact that the original copyright of a song has expired. In many countries copyright expires 70 years after the death of the copyright holder. […]
I write a lot on this blog about song melodies and their so-called climactic high point. That’s a term that refers (usually) to the highest notes of a song. I say usually because sometimes the climactic moment in a song isn’t necessarily it’s highest note. For example, choruses will often sound more climactic — more exciting […]
Many songwriters like starting the process by working out the chords first. That’s because chords give us a strong sense of mood, and if you’re trying to generate lyrics, creating a mood is a good start. So you’ve got a chord progression to which you then add a rhythmic feel. With that partnership of chords […]
