If you’re a bit new to songwriting, there’s probably at least three things you’ve noticed already: Your first few songs may have come together quickly, and this is exciting. Your next few songs took hard work, and this is discouraging. Today, you don’t even know where to start. And because you don’t know where to start, […]
Most people have little or no vocabulary when it comes to the structure of songs. The average person sitting in the local coffee shop listening to a song through their headphones wouldn’t know a bridge from a pre-chorus. But interestingly, if you actually ask someone, even with little or no musical background, “Is this section […]
If you’re not sure what’s meant by a phrase, think of it as a part of a sentence up to a comma or a period, where the sentence seems to pause, either temporarily or permanently, like this 2-phrase unit from Robert Frost’s poem, “Stopping By Woods On a Snowy Evening”: Whose woods these are I […]
Nothing slows the songwriting process down as much as second guessing every idea you get. Silencing your inner critic, at least temporarily, is a good way of making sure that you give yourself a fair chance to get something written. You need to give yourself the opportunity to hear what different song components sound like […]
I’d be in favour of a name other than bridge to describe the optional song section that occurs after the second chorus. Maybe “section 3.” A bridge implies that its main job is to transition from one thing to another newer thing, and to make that a smooth connection. But a song’s bridge most often takes the […]
Here’s a problem that I noticed in my own writing years ago, and I still battle today: Making sure that my newest songwriting ideas don’t sound the same as everything else I’ve written. I suspect that most songwriters deal with this issue. We all have a kind of artistic “muscle memory” that keeps our fingers […]
