A few days ago I wrote a post in which I talked about the chords-first method of songwriting (“Giving Your Melodies Some Shape in the Chords-First Songwriting Process“), and warning of the main pitfall of this process: the ignored and uninteresting melody that might result. As in all things in songwriting, you can find exceptions […]
There’s an inherent danger in writing songs by starting with the chords, which is that the melody can get a bit static and uninteresting. You may have come up with a chord progression you really like, but when you try to add a melody to that, you often find yourself stuck on one or two […]
There’s more to a song hook than meets the ear… a lot more. “Hooks and Riffs: How They Grab Attention, Make Songs Memorable, and Build Your Fan Base” is a vital manual for any serious songwriter. The issue of complexity and simplicity in songwriting is an important one. Songs that are too simple are usually […]
Music, apart from the lyrics that might be going on, tends to convey meaning to us. In other words, you can listen to an instrumental and usually find yourself feeling something, even if you’re not sure what that something is, or what the song is supposed to be about. Obviously, we use lyrics to know what […]
Have a listen to any song and put your attention on its musical energy. You’ll probably notice that it rises and falls throughout the song. In some genres, like the various dance-related ones, musical energy may seem static, as the beat and loudness tend to remain somewhat the same. But even in songs where beat […]
You can spend a lot of time worrying about how to get a verse and a chorus to work well together, but don’t forget the other option: consider writing a song that doesn’t use a chorus at all. Sometimes the melody for that kind of song will end with a kind of repeating refrain, like […]
