I’m a fan of any songwriting process that requires concentrating on the melody first. The main reason I like melody-first writing is that you’re concentrating on the part of a song that’s the most hummable, and the easiest for someone to remember. If there is one criticism I have of melody first processes, it’s that […]
It’s tricky, writing music that pleases your target audience. They want every song to sound unique and fresh. But at the same time, they want to hear the kind of music that attracted them to you in the first place. So you try to write something that goes in a refreshingly new direction, and they give […]
There’s a analogy for writer’s block that I’ve seen, written by Patrica Huston, MD, in the January 1998 edition of Canadian Family Physician, that succinctly describes what happens when we can’t write anymore: Medical writer and editor Elizabeth Whalen suggests that writer’s block is an example of a “right brain-left brain” conflict. The right, or […]
“Nights in White Satin” (1967) is one of The Moody Blues’ biggest hits. Most people know it in its “single” version — a bit over 4 minutes in length. But its full-length version, complete with orchestral introduction and interlude by the London Festival Orchestra, is a multi-sectional work of more than 9 minutes – a […]
Good moments in music are good because they make us believe that even better moments are coming, and so we want to keep listening. The inverse of that is true as well: bad moments in music make us believe that nothing better is coming, and so we give up listening and click to hear something […]
People who don’t write songs (or choreograph ballets, or write plays, novels, poetry…) can be forgiven for not understanding how the word courage has anything to do with the creative arts. For any songwriter who composes truly original music, who has more of an interest in being themselves than simply giving the public what they want, knows that courage is […]
