Writing a song that’s mainly a set of verses, each one ending with a pay-off line, has a simplicity that really works well. The pay-off line– a refrain — often sneaks into the song at first, without it being obvious that it’s operating as a powerful closer that’s going to keep coming back. Bruce Springsteen’s “All That […]
It might be over simplistic to say, but one of the main jobs of a song verse, particularly in the pop genres, is to get the listener to the chorus. That’s certainly not to say that a verse is unimportant. A good verse does several important things: Through the lyric, it sets the scene and describes […]
As you probably know, I use the term “musical journey” to describe a good song. I like the term mainly because it applies to pop songs that are typically short (3-4 minutes), longer, more intricate songs (5-8 minutes) or even longer prog rock-style song cycles. So describing any song as a journey is a reminder that there […]
One of the biggest drawbacks to starting your songs by working out a chord progression is that melodies can get a bit neglected. Historically, composers in the Classical realm rarely if ever started compositions with just chords. They’d practically always start with something hummable (a melody), or something otherwise memorable (the lyrics, perhaps). And since […]
Whatever you write about comes with a mood. Not to simplify this, but songs are usually either generally happy or sad, with often a blend of many different shadings of emotions. “Happy” can mean “triumphant”, “at peace”, “jubilant”, “satisfied”… you get my meaning. Of all the various elements that go together to make a song, chord progressions are […]
Do you ever feel that your chorus has problems, but no matter what you do you can’t seem to get it to work? When that happens, the problem often seems to be that the chorus doesn’t sound like a chorus. You expect a certain kind of musical punch to come from a chorus, but figuring out […]
