If you look at your most recent song’s verse and compare it to the chorus, you’ll usually notice: There is likely a similarity in the kinds of chords you’ve used in both sections. The lyrics are probably different, with verse lyrics setting up a scenario, and chorus lyrics expressing the emotions created by the verse. […]
Most songs have a “climactic moment”, usually in the chorus, but sometimes in other places, like a song’s bridge. In most cases, you can identify a climactic moment by finding the highest note. This has been a noticeable trait in music for centuries. You can go back to Handel’s oratorio “Messiah”, for example, and see […]
I was looking recently at a list of some of the world’s most covered songs, and saw a few surprises on it. Some of them were what we’ve come to expect on such lists: Paul McCartney’s “Yesterday”, Leonard Cohen’s “Hallelujah”, and Johnny Cash’s “I Walk the Line.” But I confess I didn’t know that Ray […]
I’ve always held the belief that an understanding of music theory can and will improve your songwriting. But it’s also right to acknowledge that not everything you could learn about music theory will be particularly relevant to your activities as a working songwriter in the pop genres. If you study basic musical rudiments at a typical […]
If you find that someone is able to write a complete song every few days, you might be tempted to think that there’s something magical about whatever process they’re using that helps them be so prolific. But the truth is that good songwriting is rarely about whatever process a writer might have used to create […]
It’s fair to think that your songwriting ideas come from your musical mind, and so your uniqueness as an individual, including all your life’s experiences, will influence those ideas. But the instrument you use to give life to your ideas also influences your songwriting. In a way, your chosen instrument acts as a kind of […]
