Do you find frustration building practically every time you sit down to write a song? Sometimes you find that a song’s first ideas will come to you quickly, but what to do with those ideas… That’s when the frustration kicks in, and everything starts to feel hopeless. One of the most common causes of songwriting frustration […]
Good songwriting means creating a strong partnership between all the various elements of your song. You know you’ve got a good song when your lyrics, melodies, chords, rhythms, instrumentation/production and formal design all support each other. It’s not easy to troubleshoot a song that has problems. You can tell just by listening that something’s not […]
Let’s say that you’ve been working out a new chord progression, and you’ve found something — a combination of 3 or 4 chords — that really seems to work. The trouble is: you can’t figure out what key that progression is in. How do you identify it? The first question you might ask is this […]
There are a few important spots during a song, moments that serve as connectors between one section and the next. What happens during those connecting moments will either enticingly pull the listener along and make them want to keep listening, or that moment will fail to do its job, and we feel a temporary “lull” in […]
Starting the songwriting process by working out chords makes a certain amount of sense, mainly for the reason that chords can provide a strong sense of mood. The theory is that if you can get some good chords working, and then pair them up with a rhythmic groove, you’ve got the makings of the feel […]
Last week, I wrote about earworm melodies, and how chords (specifically open cadences) can play an important role in keeping a melody rolling around in a listener’s mind. That got me thinking about songs in general: What keeps people listening to your songs? I’m not talking about the larger topic of what keeps people coming […]
