Every now and then I clean up my Inbox and give a quick re-read of the emails I’ve received from songwriters for the past while. Those emails serve as a reminder to me of what issues up-and-coming songwriters are dealing with, and the best way to solve them. Here’s a quick summary, in no particular order, […]
Let’s say that you’ve got a verse that consists of a short melody and chord progression that repeats several times before it reaches the chorus. That might start to sound boring to you, and I want to suggest a way to alleviate that boring sense of repetition. How much a short melody can or should repeat before moving […]
Not every good song becomes a hit, and hopefully if you’re a songwriter you know this already. In many ways, what determines whether or not a song becomes a hit has to do with what the industry of the day has to say about it. Hit songs, regardless of the decade, usually need to adhere […]
If you’ve ever written an instrumental, you’ve hopefully noticed that the same principles of good composition apply as when writing a song that’s meant to be sung. The way the chords work, the way you shape the melodies, and the general ideas behind production issues — these things stay the same whether you’re writing a […]
Sometimes it’s the case that you’ve written a song, played it for yourself a few times, realized it sounds bad, and your instincts are to trash it and go do something else. The truth is that somewhere between many and most songs start out as something that just doesn’t work. In other words, most songs […]
In music, momentum is anything that builds energy. Every possible element within a song has the potential to affect momentum, and songs are good if all of those elements partner well. You can hear energy and momentum growing in a song in any number of ways, including: if the music becomes louder; if the music becomes faster; […]
