In songwriting, the term contrast refers to providing opposite-sounding characteristics to any one song component: melodies that move higher, then lower; chords that are mainly minor, then major; instrumentation that’s at one point soft, then loud, and so on. It’s not important that every element within a song show a degree of contrast. For example, you can […]
One of the biggest challenges for songwriters is to write something that’s unique and innovative, but not so unique that it turns your target audience away. At the same time, if it’s not unique enough — if it’s too predictable — you’ll also turn audiences away because they’re bored: they can hear what’s coming before you […]
Beyoncé’s latest hit single, “Break My Soul” (written by Beyoncé, Tricky Stewart, The-Dream, et al) is currently at the top of the Billboard Hot 100. Every hit song balances standard fundamentals of songwriting with something unique and innovative. So let’s take a look at three songwriting innovations that set “Break My Soul” apart and make […]
A good melody needs to be memorable and at least somewhat easy for the average listener to sing or hum. Someone singing and humming a tune as they walk down the street is one of the proofs that a melody has done its job. When you hear a problem with your song, but don’t know […]
I don’t want to say that thinking about your songwriting process is a waste of time, because it’s not. And I often write about the importance of process on this blog. But a songwriting process usually only attempts to give you a set of steps to achieve that song that’s bouncing around in your head. […]
All songs are about feelings. If you’ve written a song that doesn’t make the audience feel something, you’ve missed the point of what you should be doing. Generally when we talk about songs and feelings, we’re talking about the impact of the lyric. And that makes sense of course. It’s the lyric — the specific […]
