We tend to over-simplify what we mean by contrast in a good song, and thereby misunderstand its power. Contrast, in musical terms, means considering musical opposites: loud versus soft, high versus low, and so on. When we over-simplify contrast, we simply think that the contrast principle requires us to mix loud and soft sounds, high and […]
If you like the sound of a minor verse moving to a major chorus, you’re in good company. Many songs move from minor to major. That natural “brightening” of the sound just seems to work really well. To hear this in action, you might listen to Carole King’s “You’ve Got a Friend,” Justin Timberlake’s “Mirrors”, or […]
For whichever key you choose for a song, there are certain chords that you’ll use because they exist naturally in that key. Then there are the chords you’ll choose, not because they belong to that key, but because they add a bit of musical interest. Stuck with how to get chords that fit the melody […]
If you’re ready to take your songwriting to its highest level possible, you need “The Essential Secrets of Songwriting 10-eBook Bundle.” Get the manuals that thousands of songwriters are using. Comes with a Study Guide. Do you ever find yourself wondering when a song you’ve been working away on is actually finished? What I mean is […]
There are certain progressions — certain combinations of chords — you’re more likely to see in songs written by a 21st century pop songwriter than you might with a Classical musician. But check out these two progressions and try to figure out which one was used by Romantic era composer almost 150 years ago, and […]
Tonight I have the thrill of conducting a performance of J.S. Bach’s “St. John Passion,” so I’ve had my head a little out of songwriting world while concentrating on preparing for that performance. I’ve mentioned Bach often on this blog in the past. And mostly because the way Bach composed is not that far off from […]
