Songwriting tends to happen in two stages. First, you spend a certain amount of time creating ideas, and second, you experiment with, pull together and reshape those ideas until you get the song into its final form. Some songwriters find the first stage relatively easy, but get frustrated trying to make a finished song. They get […]
If you find that everything you write is in a major key, you’re missing out on an opportunity to create songs that tap into a darker or perhaps edgier side of music, a side that minor key writing offers. It might be that you aren’t sure how to create minor key progressions, and so I’ve […]
When we talk about an instinct, we’re usually referring to something that’s born within us, something for which we have an obvious talent or aptitude. In common usage, we usually take the term even further and say that an instinct is something that we do without thinking. (“A bird flew toward my car as I […]
A modal scale, for the purposes of what you’ll need to know for good songwriting, is one that starts and finishes on the non-tonic note of a major scale. That may seem like a mouthful, but here’s all it means: If you play a C major scale, you’re playing the notes C-D-E-F-G-A-B-C. But let’s say […]
Not all artforms are processed the same way in our brains. You might, for example, choose a particular painting to hang in your living room, one that you really like looking at. And you’re fine with seeing it “all the time.” Every time you go into your living room, there it is. It’s a nice […]
A few posts back, I mentioned that in the creative arts (songwriting and other forms of composition, for example), good editing is more often about what you remove than what you add or change. In other words, the best fixes to bad music frequently happens when you remove stuff, not add stuff. If I’ve written something that’s 5 […]
