It’s not unusual for songs to start in a minor key and then change key (“modulate”) to a major key. When you think of how songwriting has changed over the decades, that one aspect — the minor-to-major key change — has remained relatively common. The change from minor to major has a brightening affect, as […]
Most songs will end in the same key that they start in. If there is a key change, probably the most common one would be presenting the verse in a minor key, and then switching to the relative major key for the chorus. For example, you might start your song in A minor, and then […]
For most of the songs you’ll write, you’ll likely use the same key throughout. If you do happen to change key, the mostly common scenario is to put the verse in a minor key and then switch to the relative major for the chorus, like Carole King’s “You’ve Got a Friend.” That’s pretty standard, and […]
Changing the key of a song is not all that common. Most of the time a song will end in the same key that it started in. When a song does change key it’s often the case where the verse is in a minor key, and then switches to the relative major key for the […]
It’s not uncommon for songwriters to be looking for unique chord progressions that will, in turn, make their song sound unique. But some of the best songs written use very basic chord progressions, usually dictated by the expectations of their chosen genre. If you’re ready to take your songwriting to its highest level possible, you […]
I love when songwriters create music where it sounds like something complex is going on, but when you put the magnifying glass on it, it’s really pretty simple. I’m focusing on chord progressions here, and the best example of a simple progression that sounds like it’s doing something a bit more involved is James Taylor’s […]
