Though everyone has a favourite way of starting songs, I think it’s fair to say that most people will use many different processes, depending on what musical idea pops into their head at the start of a session. Some typical ways of starting: Setting up a percussion loop and improvise over it, using the mood […]
Intros are meant to identify a song, and, more importantly, entice people to keep listening. They do this usually by setting up the mood, the key and tempo (though not necessarily, as you’ll see below). A good intro acts an identifying banner or flag for the rest of the song. If you find yourself always […]
What do we mean by a song’s “character?” In most cases, we’re talking about the mood or feel that we pick up from it. And we have all sorts of words that might otherwise be described as “character” words: “gentle”, “edgy”, “aggressive”, “laid back”, “dark”, and so on. Whether we know it or not, a […]
You’d be in good company if you said that every time you sit down to write a new song, you’d like to know what you’re writing about. It doesn’t make sense to start the actual writing of a song without knowing something about what you’re trying to say. Or perhaps it does. You might think that […]
In considering the many ways that songwriters start the songwriting process, working from a title is, in my opinion, one of the best. The reason comes down to one word: focus. To tell you more about what I mean, consider one of the other common ways to get the process started: working from a chord progression. […]
It’s an important principle in good songwriting that all elements within any song should act as partners. We know, for example, that the mood of a song can be strongly affected by the tempo we choose, and also by production choices: instrumentation, performance style, and even the key. A lyric can be excellent, but if […]
