Yesterday I wrote about how to take old melodies and make new ones. The end result should be a song that bears no resemblance whatsoever to the original tune, and that’s the intent. That method should allow your own creativity to make something entirely new out of something old. Having said that, unintentional plagiarism is […]
Get “The Essential Secrets of Songwriting” Deluxe eBook Bundle, and take your songwriting to a new level of excellence. Includes “Writing a Song From a Chord Progression.” When we say that you can write a song with nothing more than three chords, we’re usually talking about I-IV-V (like “La Bamba”), or perhaps I-ii-V. In C major, […]
I’ve just published a new songwriting video today, “5 Reasons to Include a Bridge in a Song’s Design“. It’s based on posts I’ve done in the past on this blog about the bridge section, and looks at five situations that arise in a song that can be dealt with by including a bridge. In truth, […]
Every once in a while I take a quick glance through a portion of the Rolling Stone Magazine’s “500 Greatest Songs of All Time,” and I’m looking for similarities. I’m willing to accept, of course, that the list is highly subjective, but that doesn’t bother me much. There’s no denying that the songs on the list […]
One of the most important principles of songwriting (and in fact, the most important part of musical composition whether writing songs or symphonies) is the notion that all elements of a song partner well together. In other words, the melodies, lyrics and chords all support each other, and all work together to reveal and enhance […]
A song that we love can seem to have a really enticing chord progression, but when you really dig into the song to find out what they’ve done regarding chords, you often find that they’re very ordinary, and that it’s other things — syncopated rhythms, chord inversions, and melodic shapes above the chords — that […]
