I’ve seen a quote online, attributed to James Taylor, that goes, “I started being a songwriter pretending I could do it, and it turned out I could.” It’s worth thinking about that statement, because there’s a positive aspect to it, pertaining to one’s basic zeal for songwriting: “If I just dive in, acting as if […]
If you’re bored with the chord progression you’ve come up with for your latest song, you’ll naturally want to spend some time looking for chord substitutions that sound more interesting. But if you find that choosing new chords is a matter of random hunting, you can waste a lot of time. With a few tips, […]
Many songs have a noticeable climactic high point — a spot where the highest note happens. It’s often found in the chorus, because choruses in general use higher notes than verses. Though you can find the highest note in the bridge, the high note of the chorus often comes with a higher impact. That’s because […]
When songs are boring to audiences, don’t expect them to be able to say exactly why they’re bored. Most people can say what they like about a good song, but are less able to say specifically what isn’t working about a bad one. When a song sounds boring, it simply means that little or nothing […]
This week, with the passing of legendary singer-songwriter Glen Campbell, we’ve been hearing a lot about some of the songs that made him famous as a solo artist: “Rhinestone Cowboy”, “Galveston”, “Gentle On My Mind”, and “Wichita Lineman”, among many, many others. “Wichita Lineman” was written by Jimmy Webb, and it’s the song I’ve been […]
Here’s an experiment you can try: take your favourite song and play the first 10 or 15 seconds of it, and then listen to the last 10 or 15 seconds and compare. What do you notice? For most songs, you’ll hear a strong similarity between the beginning and the end. Generally, the feel, key, tempo […]
