To describe a musical idea as “fragile” means that there is a certain measure of ambiguity. I like to use the term especially when describing chord progressions. A fragile progression is one in which any of the following are true: The chords do not strongly indicate the key. For example, moving back and forth from Am […]
For any major or minor key, you can build a chord on top of each note of its scale. That gives you seven chords that naturally exist for every key. If you do that with C major, for example, you get the following chords: I: C ii: Dm iii: Em IV: F V: G vi: Am vii: […]
Go on almost any songwriting forum these days, or check out the Songwriting Reddit, and you’ll see that a large percentage of the interactions are people giving a link to their latest song, with a plea for the rest of us to “check it out” and tell them what we think of it. Having others […]
Predictably, the people who think music theory is a waste of time are the ones who’ve either never studied it, or who’ve learned to hate the study of it. Just as predictably, the ones who feel that music theory is a must for anyone who writes or performs music are the ones who’ve got a […]
With only 7 notes in common use for any major or minor key, you’d think that the possibility of accidentally plagiarizing someone else’s song would be commonplace. How many ways can you rearrange notes to come up with something truly unique? I’m sure some mathematician can come up with an actual answer for that, but […]
If you’re a mathematician or physicist, formulas play a large role in your professional life. Formulas in that context are simply a kind of equation, and without them you don’t really have a profession. Songwriters know the word formula very well. In a songwriting context, “formula” is a word that describes a process, or perhaps set […]
