How much thought do you give to the note you choose to start your song melodies on? It may seem trivial because from that first note you can move in any direction you want, and so it may not feel as though it matters a whole lot, once you’re a few notes in. But I […]
The tonic note is the one that represents the key of your song, and it has the main quality of feeling like “home”. When a tonic note happens, it sounds as if a musical phrase has, even just temporarily, ended, and the next one can begin. That’s a good reason why the tonic note happens […]
Even non-musicians have an idea of what the hook of a song is: it’s the short, memorable bit that comes immediately to mind when you ask someone, “Hey, do you know the song ____?” Back in the 70s, if you asked someone, “Hey, do you know the song “Stayin’ Alive”, they’d immediately sing, “Ah, ah, […]
Songwriters can be forgiven for looking for new and exciting chord progressions. There’s a fear that if you use a progression that’s been used before, it will sound either boring or overused, and lacking in originality. The truth is that as long as the chords are properly supporting the notes of the melody, even mundane […]
Take a look at the chords in pop music today, and you don’t see the diminished chord being used much. It’s an extremely versatile chord, but it’s possible that songwriters might be a bit confused as to how to use it. And by “use it”, I think many just don’t know how to approach the […]
Because good songwriting usually starts with improvising ideas based on your instincts, you may not have given much thought to what note your tunes start on. The chord you choose, in most circumstances anyway, limits your choices to 3 notes: the root, the 3rd or the 5th. Understandably, there’s no rule that governs what the […]
