Many songs will use the same chord progression in both the verse and the chorus, and of course it’s completely fine to do that. A classic example is America’s “A Horse With No Name”, which toggles back and forth between the two chords Em and D6-add9/F# for both verse and chorus. “Smells Like Teen Spirit” […]
If you’ve written a melody that’s hard for people to remember, it’s difficult to imagine it as something that would make any sort of splash in the music world. If people need to hear it many times before they can start humming or singing it, it’s probably missing the opportunity to make a strong connection. […]
There are ways to make sure that the various sections of your song connect well together. Some of them are obvious – like keeping a consistent key throughout, or keeping the tempo the same, and so on. It’s possible (and relatively common) to have various sections in different keys, but the connection comes from the choice […]
A verse-chorus chord progression pair refers to two progressions that move seamlessly one to the other, where one has those characteristics of a good verse progression and the other acts as a good chorus one. Before giving examples of these types of pairs, keep in mind that the easiest way is to create one progression that will […]
