Spending your days writing songs might be your dream job, but if it really is a job, you’re going to have to put your guitar down once in a while and deal with the business end of songwriting. But all the words we associate with songwriting business — royalties, copyright, splits, points, etc. — can be […]
It’s not unusual in the pop music genres to partner up with one or more others to write songs. For many of the songs you see on the Billboard Hot 100, they come about as the result of a well-established songwriting team working together in a very formulaic way. Those songwriting teams can involve many […]
Many songs will use the same chord progression in both the verse and the chorus, and of course it’s completely fine to do that. A classic example is America’s “A Horse With No Name”, which toggles back and forth between the two chords Em and D6-add9/F# for both verse and chorus. “Smells Like Teen Spirit” […]
I was reading an online article about songwriting recently — a kind of “top ten ways to write great songs” sort of site — and one of the bits of advice was this: since practically all songs you find on the Billboard Hot 100 these days are the results of songwriting collaborations, you should definitely […]
All elements of a song need to support each other in order for it to be successful. There is no one aspect of a song that doesn’t need the others to reinforce what they’re trying to do. Lyrics and melodies represent an especially vital pairing. The notes a songwriter chooses for the melody can reinforce […]
Most songwriting processes use improvisation to some degree. Early in the process, improvising can seem aimless and futile. There’s a good reason for that: the best songs are a partnership of ideas. And since you’re just starting, most of the ideas you and your bandmates are coming up with might not be communicating with each other. […]
