If you’re familiar with Maurice Ravel’s “Bolero”, you will know that it is comprised of a 32-bar long melody in two 16-bar parts which repeats, over and over again, with the only change being the orchestration of the melody. There is no other musical development. No change of key, no change of tempo, no competing […]
I mentioned cadences in my last post. A cadence is the end of a musical phrase — the end of a line of music or lyric. Sometimes that cadence sounds temporary, when the lyric sounds like the a pause in the middle of a sentence (at a comma), and sometimes much more final, like the […]
There’s a very fine line between good and bad when it comes to songwriting. Your songs may keep missing the mark, but you could be very close to songwriting excellence. “The Essential Secrets of Songwriting” eBooks will help clean up your technique and make you the best songwriter you can be. It could be argued that the […]
Let’s say that you’ve got a verse that consists of a short melody and chord progression that repeats several times before it reaches the chorus. That might start to sound boring to you, and I want to suggest a way to alleviate that boring sense of repetition. How much a short melody can or should repeat before moving […]
One of the worst things you might do as a songwriter is to use clichés in your lyrics, but I’d like to make a small defence of this faux-pas, at least in certain situations. You’d think that a cliché is going to get your song sent immediately to the naughty chair called “Worst Songs Ever”, […]
Avoiding the tonic chord has the benefit of making listeners wait around until they hear it. One of the most obvious ways to keep people listening to your songs is to create hooks that constantly demand attention. It’s something that producers and industry personnel love, because a hook is conspicuous. You can wave a good hook […]
