In most songs, the chorus is considered to be, musically speaking, more energetic than the verse. There are lots of ways that the higher energy is attained, some of which are the producer’s responsibility: instrumentation, playing style, volume, etc. And some of ways to achieve higher energy are the songwriter’s responsibility: higher emotions in the […]
Sometimes you’ll hear a songwriter criticize their lyrics, saying that the chorus “falls flat.” That kind of criticism usually means that the chorus lyrics aren’t generating the kind of emotional response from the listener they were hoping for. You’ll notice that I say “generating”, because that’s exactly what a good chorus lyric does. It doesn’t […]
Have you ever tried just reading your lyric out loud, without thinking about the melody you’ve written to go along with it? Reading a lyric can give you a lot of musical ideas, and can also serve as a good tool for diagnosing songwriting problems. Time to fix what’s ailing your songs. Read “Fix Your […]
The tonic note is the one that represents the key of your song, and it has the main quality of feeling like “home”. When a tonic note happens, it sounds as if a musical phrase has, even just temporarily, ended, and the next one can begin. That’s a good reason why the tonic note happens […]
The conventional wisdom is that a song’s chorus should be happening by the time you get to the 1-minute mark, or even sooner. A chorus that happens after the 1-minute mark can work just fine, though, particularly if the song is in a slow ballad style. Deciding when it feels right for the chorus to […]
You’ve probably noticed that great songwriters, when being interviewed about what they do, often talk about old songs. They’ll talk about the songs of their youth, and sometimes even further back. If you’re writing songs that you hope are on the cutting edge, songs that you hope sound fresh, new and innovative, it begs the question: […]
