Your song’s chorus is often going to be the most energetic part of your song, with the possible exception of a bridge that might really take things to new levels. But even in songs where the bridge is energetic, you’ll find that the return to the chorus afterward is all the more dynamic and lively. In […]
At a minimum, most songs these days will use a verse-chorus or verse-refrain structure. Songs might be constructed of verses and nothing else, such as Amanda McBroom’s “The Rose”, made most famous by Bette Midler. Many old 12-bar blues songs are basically a verse and nothing else, though many will use a repeating refrain to […]
It’s amazing how much music you can write with so few ideas. Here’s what I mean: A typical song will have a verse and a chorus, with the possibility of some other optional section, like a bridge. Each of those sections are usually constructed on one main idea, with other related ones. So that means […]
Constructing songs so that we hear verses, choruses, bridges, and so on, is a good and easy way to ensure that your music incorporates contrast. Even before hearing a particular song, we know that the chorus is likely to be higher in pitch, that the chorus chords will probably be stronger and shorter than the verse, […]
It’s possible to do entire songs with the same progression from beginning to end. That used to be rare — I can think of America’s “A Horse With No Name” from 1972 – Em and D6add9 for verse, chorus and solo. And doubtless there must have been a disco hit or two that got built on one […]
For most songs that are written and produced for today’s pop music market, the hook is a very important feature. It’s the part that everyone remembers long after they’ve forgotten everything else about a song. And crucial to the business side, it’s what brings audiences back to a song and makes sales more likely. We […]
