Every time I hear the opening bars of “Thus Spake Zarathustra“, by Richard Strauss, even after decades of being familiar with it, I still feel an incredible sense of awe and amazement. You may not know that title, but you do know the piece: it’s the theme from “2001: a Space Odyssey.” Context is everything. […]
These days, many or most songs that are produced for broad commercial appeal (i.e., hit songs in the pop genres) use melodies written by “topliners.” A typical scenario might be that a producer sends out a pre-made instrumental track to musicians who can create melodies over these tracks. Someone comes up with melodies and lyrics to […]
More than many other creative endeavours, songwriting is largely an improvisatory art. That notion of improvisation largely happens on two levels: The writing of the song, which is often the spontaneous, “on-the-fly” generation of musical ideas. The performance of the song, which involves players reacting spontaneously to the ideas of bandmates. Every kind of creative activity in the arts […]
One of the most important principles of songwriting (and in fact, the most important part of musical composition whether writing songs or symphonies) is the notion that all elements of a song partner well together. In other words, the melodies, lyrics and chords all support each other, and all work together to reveal and enhance […]
Music develops and changes over time as a kind of evolution: it takes what’s happened before, copying it to a large extent, but making small changes that move in a slightly new direction. It’s what biologists call “descent with modification from a common ancestor” in their field. We like to think that the music we’re writing is […]
You may have just as many people who hate your music as love it, but that shouldn’t bother you too much. Hoping that everyone loves what you do is unrealistic. Any time you express your thoughts, opinions and feelings in musical form, people will react; sometimes in favour of your art, and sometimes against. The […]
