In a recent blog post (“Moving from Minor to Major in a Pleasantly Abrupt Way: Valdy’s ‘Simple Life’“) I mentioned the common occurrence in songwriting of writing a minor verse that then moves to a major chorus. Juxtaposing minor and major is a really good way of creating that all-important aspect of contrast in songs. […]
It may surprise you to know that if you go back enough in time — the Medieval era, for example — most music was all about the melody, and that harmony definitely played a secondary role: harmonies were incidentally created as several melodies were played together. While today, most music is a melody with chords […]
Most songwriters know that melodies and lyrics are the two major components of songs that you can’t take from another copyright-protected song to use in your own. The original writer of the melodies and lyrics own the copyright — even if they never registered that copyright — unless that copyright has expired. Songwriters are very […]
Most songwriters dislike the word “formula” as it pertains to songwriting, because that word implies that there’s something about their music that’s predictable, something that’s been done so often before that we’ve been able to come up with a set of steps — a formula — that can guide you to the finished product. Thousands […]
When a song is working well, it means that all its separate components don’t just sound good on their own, but they also partner up well with all (or most) of the song’s other components. In that sense, a good song is typically better than the sum of its parts. Some songwriters find chords to […]
When you listen to songs, you’re likely unaware of the concepts of fragile and strong being played out, but it’s actually a very important aspect of good songwriting. If you’ve written a melody and you want to explore the many ways there are to add chords to it, you need to get “How to Harmonize a […]
