A key part of success when it comes to song melodies is writing something that audiences easily remember. If it’s possible to consider beauty and memorability as two separate entities, it’s worth spending a bit of time thinking about a) what makes melodies beautiful, and b) what makes them easy to remember. You’re going to […]
In common usage within the pop genres, a refrain is a closing line at the end of a verse, usually used in place of a chorus. A classic example is Bob Dylan’s “The Times They Are a-Changin’”. “Chord Progression Formulas” shows you how to create dozens of great progressions practically instantly by using some powerful […]
I write a lot on this blog about song melodies and their so-called climactic high point. That’s a term that refers (usually) to the highest notes of a song. I say usually because sometimes the climactic moment in a song isn’t necessarily it’s highest note. For example, choruses will often sound more climactic — more exciting […]
Most people have little or no vocabulary when it comes to the structure of songs. The average person sitting in the local coffee shop listening to a song through their headphones wouldn’t know a bridge from a pre-chorus. But interestingly, if you actually ask someone, even with little or no musical background, “Is this section […]
If you’re not sure what’s meant by a phrase, think of it as a part of a sentence up to a comma or a period, where the sentence seems to pause, either temporarily or permanently, like this 2-phrase unit from Robert Frost’s poem, “Stopping By Woods On a Snowy Evening”: Whose woods these are I […]
Lately it seems that I’ve been getting a lot of comments, both through email and in the comments section at the ends of various posts, questioning some of the various songwriting principles I write about. Mainly, a comment will go something like this: “You say that chorus progressions are shorter than verse progressions, but I […]
