How much of a connection should a listener hear between the verse and chorus? In other words, except for tempo, key and general feel, can a verse melody set up a chorus well if it bears little to no similarity to that chorus melody? Take the classic hit “Witchy Woman” (Don Henley, Bernie Leadon). Compare […]
It’s somewhere between possible and likely that when you come up with a song melody, you’re following pure instinct. You may work and re-work lyrics and may spend a lot of time tweaking the chords, but I wonder if melodies always seems a bit random, where the changes you might make over the course of […]
It’s not terribly surprising that most people can tell whether they’re hearing a chorus or a verse. That’s a good thing, because songs don’t come with signposts that say, “This is the verse…”; “This is the chorus.” What I find interesting is that even non-musicians can tell. Songs normally start with the verse, but with […]
For many songwriters, getting a catchy melody for your song happens as the result of improvising melodic ideas over a chord progression. If that’s your normal process, it’ll usually work well for you. But improvising ideas should always be seen as a first step to getting a final version of a melody that really works. […]
The world is a big place. I only mention that because that’s one possible reason why no one is humming your melodies. You need to be realistic in your expectations. If you aren’t actively trying to build an international audience base, most people actually won’t be humming your tunes. But that’s not what I’m talking about […]
Go on almost any songwriting forum these days, or check out the Songwriting Reddit, and you’ll see that a large percentage of the interactions are people giving a link to their latest song, with a plea for the rest of us to “check it out” and tell them what we think of it. Having others […]
