Christina Perri

Curing the Melody that Aimlessly Wanders

Writing melodies may not be the part of songwriting you find easy at all. You may find it easy to create chord progressions that you like, and you may even be a decent lyricist. But if you’re finding that your melodies sound like aimless wandering — a disorganized collection of notes — that’s a problem […]

Alan Parsons Project

Using Musical Motifs as a Kind of “Signature”

You may have heard the word motif before and wondered what it is, and how it might apply to songwriting. It’s a term that’s somewhat similar to hook — and that’s a word you’re probably a lot more familiar with. A hook is a musical idea that repeats throughout a song, though we often associate it chiefly […]

Songwriting

You’ve Got a Chorus Hook, But What Now?

It’s quite normal to come up with a catchy chorus hook as a first step in your songwriting process, since the hook contains elements that are easily sung, played and remembered. But once that hook has been developed, you might find that your creative mind lets you down: what do you do next? If you’re trying […]

Tom Petty

How Making a Line Drawing of Your Melody Makes It Better

The best song melodies are the ones that have a definable shape. You may not have ever thought of a melody in terms of its shape, but all that means is that good melodies: use recognizable, memorable patterns, and… can be described generally when it comes to its overall design. Let’s look at those two […]

Tom Petty

Making Your Melodies Easy For Listeners to Remember

In order for a melody to be successful, it needs to be easily remembered by a listener. If your melodies sound like aimless wandering, you’re going to have trouble building an audience for it. The best melodies out there are the ones that people can hum or sing, even if they aren’t great singers. When […]

Brian Wilson - Tony Asher

How a Song’s Chorus Makes Use of Musically Strong Elements

When you listen to a song just for entertainment, you’re not usually aware that parts of the song are musically ambiguous in some way, while other parts are clear and strong. Let’s say, for example, that you start your song by writing a verse that uses this short progression: C-Bb-C-Bb-C-Bb… There’s a kind of ambiguity associated […]