Because most songwriters are also instrumentalists, muscle memory plays a big role in key choice. If you’re a guitarist and you’re noodling around trying to create some ideas for songs, you’ll find your fingers wanting to move to the notes and patterns that you find the easiest to play. “Fix Your Songwriting Problems – NOW!” […]
When you start your songs the same way, you make it very likely that there will be an unpleasant sameness about them. Your aim as a songwriter should be to feel at ease with as many different processes as possible for starting songs. Comfort with many different processes makes it more likely that your songs […]
A strong hook is only part of what makes a pop song successful. Your song might have a catchy hook, but if it generally avoids some of the more important principles of songwriting, that hook won’t save it. In fact, a good hook can be wasted on a song that has other obvious problems. All […]
What do we mean by a song’s “character?” In most cases, we’re talking about the mood or feel that we pick up from it. And we have all sorts of words that might otherwise be described as “character” words: “gentle”, “edgy”, “aggressive”, “laid back”, “dark”, and so on. Whether we know it or not, a […]
When it comes to creating beautiful song melodies, the actual notes you use isn’t all that important. No one remembers notes, because no one knows what notes you’re using in the first place. What people remember are shapes and rhythms. Knowing how to get a melody working well with the chords and lyrics is a crucial part […]
If you’re familiar with Maurice Ravel’s “Bolero”, you will know that it is comprised of a 32-bar long melody in two 16-bar parts which repeats, over and over again, with the only change being the orchestration of the melody. There is no other musical development. No change of key, no change of tempo, no competing […]
