Good songwriting means creating a strong partnership between all the various elements of your song. You know you’ve got a good song when your lyrics, melodies, chords, rhythms, instrumentation/production and formal design all support each other. It’s not easy to troubleshoot a song that has problems. You can tell just by listening that something’s not […]
I’ve aterritten a fair bit lately about making a verse more effective, either by creating an interesting key change, or by paying closer attention to how the verse connects to the chorus. In this post, I want to look more closely at the chorus itself, and address an issue when the chorus itself just doesn’t […]
Starting the songwriting process by working out chords makes a certain amount of sense, mainly for the reason that chords can provide a strong sense of mood. The theory is that if you can get some good chords working, and then pair them up with a rhythmic groove, you’ve got the makings of the feel […]
If you’ve written a hook, and most if not all of the following aren’t true, you’ve not really written an effective one: It’s got a short and easy-to-remember melody. It incorporates a catchy rhythm. It uses a relatively simple, short chord progression. It usually appears, disappears, and reappears throughout a song. It’s fun to sing. When […]
One of the interesting qualities of music is its ability to affect our mood, perhaps even to generate certain moods. Politicians certainly know this; musical choice is an important consideration at rallies and speeches. There are some aspects of music that immediately come to mind when we think about controlling the mood a song portrays. […]
Songwriters use a variety of terms to describe various aspects of music. The definition of some of these terms are obvious, while others are hard to define, but “you know it when you see it”: groove, riff, pay-off line, the tune… these are words we just all seem to know instinctively what’s being referred to. “Hook” […]
