These days, many or most songs that are produced for broad commercial appeal (i.e., hit songs in the pop genres) use melodies written by “topliners.” A typical scenario might be that a producer sends out a pre-made instrumental track to musicians who can create melodies over these tracks. Someone comes up with melodies and lyrics to […]
Musical energy is a term that a lot of musicians use but find hard to define. You might use the word energy in a very nebulous sort of way, where it’s synonymous with intensity. With that usage of the word, most listeners of music would know what you mean if you said, “I really like the energy of this song.” They would […]
It’s fair to make the assumption that most songwriters are singers, but that’s not exclusively true. So if you’re trying your hand at writing songs and you aren’t a singer, how do you write melodies? The inability to sing usually means the inability to sing well. In other words, you may be able to manage to grunt […]
There’s a good reason why repetition factors into most good songs: it ensures that a song is easy to remember, which means that people are more inclined to sing them. But there are other qualities that make melodies easy to sing. And as a songwriter, you should consider the singability of your melodies to be […]
If you’ve ever written an instrumental, you’ve hopefully noticed that the same principles of good composition apply as when writing a song that’s meant to be sung. The way the chords work, the way you shape the melodies, and the general ideas behind production issues — these things stay the same whether you’re writing a […]
Take a listen to the following songs, and pay particular attention to the verse melodies: My Little Town (Paul Simon) Don’t Stop Believin’ (Jonathan Cain, Steve Perry, Neal Schon) Roxanne (Sting) Jam (Michael Jackson, René Moore, Bruce Swedien, Teddy Riley) Rumour Has It (Adele, Ryan Tedder) These songs were all hit songs in their own time, and […]
