In pop songwriting, the word hook is often used synonymously with chorus. “I’ve just written a hook” usually means that you’ve got the main part of your chorus done. But in fact, that concept we call the hook is more complex, and overlaps with other elements we typically call riffs, motifs, maybe even loops and other types of repetitive patterns. […]
Yesterday I wrote about how to take old melodies and make new ones. The end result should be a song that bears no resemblance whatsoever to the original tune, and that’s the intent. That method should allow your own creativity to make something entirely new out of something old. Having said that, unintentional plagiarism is […]
You’d be forgiven for thinking that all the good melodies have been taken. Since most songs are tonal (i.e., they exist in a key), that means that the majority of them are comprised of seven different pitches, all arranged in different ways. It makes you wonder, how many melodies can possibly be concocted by using seven pitches? Well, […]
For those of you who find setting lyrics to be the easy part, you can more or less ignore this post and go on with your regularly scheduled life. But if you find the whole issue of setting lyrics to music — especially with regard to rhythm and timing — to be one of the trickiest parts […]
A song that we love can seem to have a really enticing chord progression, but when you really dig into the song to find out what they’ve done regarding chords, you often find that they’re very ordinary, and that it’s other things — syncopated rhythms, chord inversions, and melodic shapes above the chords — that […]
A number of years ago I wrote a blog article called “Pop Songs: What Checking the Fossil Record Can Do For Us“. In that post, I made a comparison between how Gregorian Chant (the music of the early Christian church of about A.D. 500) bore certain similarities to the way melodies are written today. You may […]
