Have you ever tried just reading your lyric out loud, without thinking about the melody you’ve written to go along with it? Reading a lyric can give you a lot of musical ideas, and can also serve as a good tool for diagnosing songwriting problems. Time to fix what’s ailing your songs. Read “Fix Your […]
Generalizing any aspect of a songwriter’s output is straying into dangerous territory. That’s particularly true of the music of Lennon and McCartney. They were arguably the most versatile writers of pop song of their generation, and probably even now. As soon as they wrote a hit, it was back to the drawing board to come […]
Most songs have a moment that can be identified as being its climactic moment. More often than not, it’s somewhere toward the end. Climactic moments are sometimes easy to identify: “Bridge Over Troubled Water” (Paul Simon): You can hear the song constantly building, and, like many songs, is really a series of climactic moments, each […]
We use the term harmonic rhythm to describe the rate that chords change when compared to the number of melody notes. So let’s say you’ve written a song where the melody is primarily a stream of 8th notes. If you’re not sure what that means, think of the verse (and that prominent intro bass line) of […]
In songwriting, the first notes a listener hears are vital ones. Listeners will continue with, or abandon, a song based on those first few seconds. It’s not just pop songwriters that deal with those tricky first few seconds. It’s been a challenge for composers for centuries. Once you’ve got a melody, how do you know […]
In theory, there shouldn’t be a lot of difference between a melody that’s meant to be sung and one that’s meant to be played. Particularly in the pop genres, both kinds of melodies will usually display the following characteristics: The melody will usually move mainly by step (i.e., adjacent notes in a scale) with occasional […]
