Try this little experiment the next time you’re listening to music on the radio. Put your radio in an automatic scan mode, where it moves through the dial, stopping on radio stations as it finds them, and then plays 7 or 8 seconds before moving on. As it stops at each new station (and assuming […]
For a lot of people, a song hook is hard to define, but you certainly know it when you hear one. There are many different kinds of hooks (intro hooks, instrumental hooks, lyrical hooks, etc.) but by far the most common kind is the chorus hook. In fact, many songwriters, particularly in the pop genres, […]
Most songs use several distinct melodies. If your song has a pre-chorus and bridge, that means that you might need to come up with at least four different melodies. Each one of those melodies will likely use a different chord progression, and they might also use very different rhythms. “The Essential Secrets of Songwriting”Lyrics become […]
Most songs in the pop genres use simple chord progressions. “Simple” means that they target the tonic chord — the chord that represents the song’s key — and make that tonic chord sound like “home.” These sorts of progressions: C-F-G7-C (I-IV-V7-I) C-Am-Dm-G-C (I-vi-ii-V-I) C-Dm-G-C (I-ii-V-I) These are all in the key of C major, and […]
Sometimes you’ll find that studying songs from a genre not your own is a really great way to expand on what you do. Songwriting principles usually apply across genres, and hearing a principle demonstrated in a different genre can act as a kind of metaphor for your own. The same thing happens when you study […]
When we talk about the energy of music, at least in strictly songwriting terms, we’re talking about the sense of the music being propelled forward. In this sense, I’m not necessarily talking about how powerful, loud or energetic the music sounds or feels; I’m talking about musical momentum. For example, when one section of a […]
