Inverted chords, often called “slash chords” because of the way they’re notated (C/G: “C slash G”) can add a very useful sense of creativity to an otherwise ordinary chord progression. In fact, if you’re looking to make your progressions sound a bit more inventive, exploring ways to use inversions should be your first step. Here’s […]
Chord progressions are responsible for much of the mood that we pick up in a song. Chords don’t do it on their own of course, but we get a clearer picture of the mood from the way the chords change more than from pretty much any other single element. Simple, standard progressions work just fine […]
An inverted chord is one in which the lowest-sounding note of the chord at any given moment is not the root of the chord. Inversions have a subtle way of manipulating the mood that a particular chord conveys, and can be a really great tool for songwriters looking to make their chord choices sound more sophisticated. […]
An inverted chord is one where the letter name of the chord (C, let’s say) is not the lowest sounding note. Normally, if you play the C chord in your band rehearsal, that means that the lowest sounding note, the one played by the bass or left hand of the keyboard, will be C. “The Essential […]
Get the eBook bundle that thousands of songwriters are using to improve their songwriting technique. “The Essential Secrets of Songwriting 10-eBook Bundle” comes with a free copy of “Use Your Words! Developing a Lyrics-First Songwriting Process.” One common complaint I hear from songwriters is that when trying to come up with a unique or creative […]
Whenever you play a chord, you’re usually playing it in what’s called root position. This means that the root of the chord (the note represented by its letter name) is going to be the lowest-sounding note — the one that the bass is playing. If you want hundreds of chords to experiment with, “The Essential […]
